Bach Bibliography
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Series : ^EumagGwaMinjog$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Gim, Gyeong-imPuga episodeu yi gujojeog teugseong yeongu: J.S. Baheu yi Pyeonggyunyul Keulrabi'eo reul jungsim'euro. [A research on the structure of episode in fugue: Mainly about J.S. Bach's Das wohltemperirte Clavier] EumagGwaMinjog 18 1999 129-152
2. Gim, Mi-ae18-segi keulrabi'eo eum'ag yi yeonju munhwa. [The performance practice for 18th-century keyboard music] EumagGwaMinjog 21 2001 285-309
3. Na, Ju-riRegeo yi piano puga wa Baheu yi puga yangsig. [Bachian tradition in the piano fugues of Max Reger] [BWV 540] EumagGwaMinjog 25 2003 335-361
4. Na, Ju-ri (Julie Ra)Hindemiteu yi Eum yi yuhyi was Baheu yi Pyeonggyunyul Keulrabi'eo gogjib. [Comparison of Hindemith's Ludus tonalis and Bach's Well-tempered Clavier] EumagGwaMinjog 28 2004 201-227
5. Na, Jin-gyuBaheu yi oreugangog Fantasi wa Fuga g danjo BWV 542 yeongu. [A study on Bach's organ work Fantasy and fugue in G minor BWV 542] EumagGwaMinjog 28 2004 282-302
6. Na, Jin-gyuBaheu yi Passakalri'a wa fuga (BWV 582) yeongu. [A study on J.S. Bach's Passacaglia and fugue BWV 582] EumagGwaMinjog 31 2006 91-116
7. Na, Jin-gyuBaheu yi Matae sunangog e surogdoen koral yeongu. [A study on chorales in Bach's Matthew Passion] EumagGwaMinjog 33 2007 217-241
8. Na, Jin-gyuBaheu B danjo misa yi eum'agjeog tong'ilseong e daehayeo. [A study on the musical coherence of J.S. Bach's B minor mass] EumagGwaMinjog 34 2007 245-269
9. Na, Ju-ri'Sidae wa yeogsa reul coweolhaneun je 1 yi gojeonjuyija': Poreukel yi Baheusang. [Forkel's Bach image: Emergence of Romantic interpretation of Bach] EumagGwaMinjog 35 2008 203-228
10. Cae, Hyeon-gyeongEum'ag euro sinhag eul hada: Baheu yi Nae ju neun ganghan seong. [Bach wrote theology in his Einfeste burg ist Unser] EumagGwaMinjog 36 2008 197-239
11. Na, Jin-gyuBaheu moteteu yi sijeog, eum'agjeog gujo. [A study on the musical and textual structure of the motets by J.S. Bach] EumagGwaMinjog 37 2009 353-379
12. Na, Jin-gyuBaheu gyohoekantata yi hyeongtae mic agjangyuhyeong e daehan yeongu. [The stylistic classification of Bach's church cantatas] EumagGwaMinjog 42 2011 361-384
13. Gang, Eun-suI Geon-yong yi Yesu Sunangog yi hyeonjaeseong gwa segyeseong: Swisceu, Baheu, I Geon-yong euro i'eojineun Sunangog yi teugjing. [Lee Geon-yong's Die Passion Jesu Christi, 'now-ness', and 'here-ness': Linked characteristics of the Passions of Schütz, Bach, and Lee Geon-yong] EumagGwaMinjog 45 2013 71-95
14. Bag, Mi-sug (Park, Mi-sook)Barokeu chum dongjaggwayi yeongyeoreul tonghan piano yeonjubeop yeongu: Baheu yi Prangseu moeumgog 5-beoneul jungsimeuro. [A study on piano playing through connections with Baroque dance movements: Focused on Bach's French suite no. 5] EumagGwaMinjog 54 2017 185-216
15. Na, Jin-gyuBaheu yi Yohan sunangoggwa Matae sunangogbigyo yeongu. [A study on Bach’s Johannespassion and Matthäuspassion in comparison] EumagGwaMinjog 55 2018 293-322

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